Franz Urban Pappi Sept. Schwerpunkte der Forschung sind u.
We Need To Disagree Triangle: In Person Spotlights: Aisch Alle Rechte vorbehalten. Satz- und Druckfehler vorbehalten. Insgesamt werden rund aktuelle und historische Arbeiten unter 30 Minuten beim Festival zu sehen sein.
Jeder einzelne davon ist es wert gesehen zu werden. Founded fifteen years ago as a student initiative, it has since evolved into an internationally renowned event celebrating the short format. It s hard to compare VIS today with its humble beginnings in terms of both its organization and its content but what has remained unshakable is its claim to providing an Austrian stage for extraordinary short cinema and its focus on new formats and sociopolitical subjects.
Our crystal anniversary is a great opportunity to say thank you on the one hand, to the partners and sponsors, who have stuck by us for so many years, and, on the other, to our filmmakers and audiences, who each year encounter each other with fresh curiosity.
A big thank Lauber franziska bachelor thesis also goes to those who have contributed to the festival s success in the past fifteen years, mostly under precarious circumstances but always with enormous passion and personal commitment. The fifteenth edition of VIS promises to be a special one by celebrating two other anniversaries as well: Fifty years afterour focus theme We Need To Disagree reminds us of the importance of political debate.
And one hundred years after the founding of the Republic of Austria, the exhibition shaping democracy examines how the nation sees itself.
A total of about current and historic works under 30 minutes will be screened at this year s festival. Each and every one of them is worth seeing.
Now, who would disagree with that? Tickets online at viennashorts. Alexandra Zawia works as a film critic and author for academic publications, journals, newspapers, cultural institutions, and film festivals.
She studied Literature, Linguistics, and Cultural Studies and is a programming consultant feature film for the Diagonale. He also selects features and docs from Sub-Saharan Africa. Ihre Arbeit wurde international gezeigt, u.
From tohe was the artistic director and general manager of the German Institute for Animated Film. Sincehe has been coordinating the project Protecting the Audiovisual Heritage in Saxony. He is a member of the DOK Leipzig selection committee.
Susi Jirkuff is a visual artist. Her preferred media are drawing, video, animation, and installation. Numerous festival participations, such as Annecy, Animafest, Tricky Women, and numerous prizes and grants, most recently the Austrian Outstanding Artist Award for Experimental Film She is currently developing her first feature documentary entitled Neighbours.
Tina Poglajen ist freie Filmkritikerin in Ljubljana. Claudia Larcher is a visual artist focusing on video, photography, collage, and installation art. She also experiments with live visuals in performances and concerts.
Matt Lloyd has worked in film exhibition in Scotland for two decades. Matt has directed the Glasgow Short Film Festival for nine of its eleven editions.
Tina Poglajen is a freelance film critic based in Ljubljana. She broadcasts for Slovenian national radio and works as a program consultant for the Ljubljana International Film Festival. An alumna of criticism programs in Venice, Locarno, and Rotterdam, she regularly reports from film festivals and has written extensively on cinema, gender, and sexuality.
Sie lebt in Riga. Eva Fischer studierte Kunstgeschichte und Kulturmanagement in Graz, Utrecht und Wien und ist seit freie Kuratorin und Visualistin initiierte sie das Festival sound: Seit leitet sie die Produktion der Diagonale.
She is currently working on her PhD thesis on Latvian music videos in the s as a platform for a new national audiovisual language.
Her work involves contextualizing the contemporary developments in audiovisual arts in relation to historical and sociopolitical backgrounds.Participation in river restorations or How are environmental subjects formed? RUEF Franziska Master thesis Franziska Ruef 3 ACKNOWLEDGEMENTS I would like to express my gratitude to everyone who supported me throughout the course of the master and especially the master thesis.
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