She represents love and forgiveness.
Gretchen Analysis You are here: She has no evil in her at all. She symbolizes death, destruction, and human depravity. When Gretchen is first introduced in the play, she appears to be the ideal of innocence and purity.
When Faust tries to talk to her on the street, she refuses. It is her naive that attracts Faust most of all. So virtuous, modest, through and through! Faust uses religious language to describe the room. Seize my heart, you sweet pain of love, you that live languishing on the dew of hope!
How the feeling of stillness breathes out order and contentment all around. In this poverty, what fullness! In this prison, what holiness! The prayer in the Ramparts scene is an example of her religious training. But without desire [you revere the Holy Sacraments], alas! She can feel his evil presence, which is what saints are supposed to be able to do.
In this holy place what is he about? Gretchen is constantly aware of her crimes and prays. However, in some situations, Gretchen is presented as a fallen woman who causes her own ruin.
Even though Gretchen rejects Faust on the street, she is immediately attracted to him, in spite of the fact that he acts very vulgar toward her.
Gretchen disregards her religious upbringing and starts an affair with Faust.
Gretchen is made both innocent and erotic as she removes her clothes and sings a romantic song. While she remains a girl getting ready for bed, her undressing is a foreshadowing of her affair with Faust. She does not feel comfortable in the church anymore because she has sinned.
It seems to me as the organ would stifle my breathing, as if my inmost heart were melted by the singing. Gretchen can no longer bear the burden of guilt and turns to Mater Dolorosa, to whom she prays in the Ramparts scene. This scene depicts Gretchen praying at the statue of the Virgin Mary.
Gretchen the saint and Gretchen the fallen woman. Gretchen the saint finds herself in a similar condition with the Virgin Mary as an unwed mother-to-be. Goethe portrays her as such through her experience with her younger sister.
Earlier in the play, Gretchen explains how she raised her sister alone. She cared for the child and treated it as her own, all the way up to its early death. And so I brought it up, and quite alone, with milk and water; so it became my own. She combines the maternal nature of a mother with the innocent purity of a girl.
Just as Gretchen is connected to Mary as a virgin mother, she feels closeness to Mary because of her suffering.
This image contrasts sharply with the suggestion that she could kill her child later on. This heavenly silence would be more appropriate for the other Gretchen, Gretchen the fallen woman. While a saint prays to receive some kind of absolution, a sinner prays to blaspheme. The lack of response to her plea can be seen as a prelude to her further fall.
A parallel can be created between Gretchen and Eve — the fallen woman — who is herself responsible for her own ruin. For example, she recognizes from the beginning that Mephistopheles is evil and not the charming man he appears to be.is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.
Johann Goethe’s Faust: Gretchen Analysis In the play “Faust” by Johann Goethe, Gretchen’s character envelops extreme aspects of Virgin Mary and of Eve. Mary acts as the symbol of the mother of mankind, the pure .
Need help on characters in Johann Wolfgang von Goethe's Faust? Check out our detailed character descriptions.
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Johann Wolfgang von Goethe builds a dramatic poem around the strengths and weaknesses of a man who under a personalized definition of a hero fails miserably. All Faust's virtues and faults, his strengths and weaknesses, are magnified so that his adventures and moral development are presented on a scale that is larger than life.
This gives his story a stature and dignity equal to its cosmic theme, and makes Faust's life a mirror of human existence which all men may learn from.